Two new books about the works of Julian Barnes were recently published. Both treatments add to the growing scholarly treatment of Barnes's work. Table of contents can be viewed on the Julian Barnes Website
Sebastian Groes & Peter Childs, Eds.
Continuum, 2011. Pp. 192
From the Publisher:
Julian Barnes is one of the most admired British writers of his generation. Although known primarily as a novelist and essayist, the ‘chameleon of British letters’ has written with distinction across the widest range of literary genres. Both he and his diverse and distinguished body of work have been awarded numerous literary prizes both in the UK and abroad. This critical guide provides a wide range of current critical perspectives on Barnes's work from best-selling novels of the 1980s, Flaubert’s Parrot and A History of the World in 10½ Chapters, up to his recent memoir Nothing to be Frightened of. Including contributions by some of the finest critics working in the contemporary field, it reflects the richness and diversity of one of Britain's greatest living writers.
Manchester University Press, 2011. Pp. 166
From the Publisher:
Peter Childs's Julian Barnes is a comprehensive introductory overview of the novels that situates Barnes's work in terms of fabulation and memory, irony and comedy. It pursues a broadly chronological line through Barnes's literary career, but along the way it also shows how certain key thematic preoccupations and obsessions seem to tie Barnes's oeuvre together (love, death, art, history, truth, and memory). Chapters provide detailed reading of each major publication in turn while treating the major concerns of Barnes’s fiction, including art, authorship, history, love and religion. The book is very lucidly written, and it is also satisfyingly comprehensive - alongside the 'canonical' Barnes texts, it includes brief but illuminating discussion of the crime fiction that Barnes has published under the pseudonym Dan Kavanagh. This detailed study of fictions of Julian Barnes from Metroland to Arthur & George also benefits from archival research into his unpublished materials.
Labels: Criticism, Peter Childs, Sebastian Groes